COUNTERPOINT by Adam Lenson | Substack

Why developing new musicals is graded on a curve.

Nov 15, 2022

New Top Community

Why jumping the queue isn't the way to deal with unlicensed adaptation.

Aug 2, 2022

Why giving audiences what they know they want is hurting theatre

Jun 11, 2022

Why Oklahoma made me again want more for the musical in the UK

May 24, 2022

Why I made a solo show at 36

Mar 31, 2022

How an essay from 1936 made me think new thoughts about Digital Theatre.

Feb 17, 2022

Why literary theory might help us to stop undermining musicals.

Feb 10, 2022

Should musicals sound more like music?

Feb 3, 2022

COUNTERPOINT by Adam Lenson

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