Why developing new musicals is graded on a curve.
3
Why jumping the queue isn't the way to deal with unlicensed adaptation.
1
Why giving audiences what they know they want is hurting theatre
Why Oklahoma made me again want more for the musical in the UK
Why I made a solo show at 36
1
How an essay from 1936 made me think new thoughts about Digital Theatre.
Why literary theory might help us to stop undermining musicals.
1
Should musicals sound more like music?
2
See all

COUNTERPOINT by Adam Lenson