COUNTERPOINT by Adam Lenson | Substack

Why jumping the queue isn't the way to deal with unlicensed adaptation.

New Top Community

Why giving audiences what they know they want is hurting theatre

Jun 11

Why Oklahoma made me again want more for the musical in the UK

May 24

Why I made a solo show at 36

Mar 31

How an essay from 1936 made me think new thoughts about Digital Theatre.

Feb 17

Why literary theory might help us to stop undermining musicals.

Feb 10

Should musicals sound more like music?

Feb 3

Why calling musical theatre a genre will hurt it

Jan 27

COUNTERPOINT by Adam Lenson

About Archive Authors Sitemap

#nojs-banner { position: fixed; bottom: 0; left: 0; padding: 16px 16px 16px 32px; width: 100%; box-sizing: border-box; background: red; color: white; font-family: -apple-system, "Segoe UI", Roboto, Helvetica, Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 13px; line-height: 13px; } #nojs-banner a { color: inherit; text-decoration: underline; } This site requires JavaScript to run correctly. Please turn on JavaScript or unblock scripts