Why jumping the queue isn't the way to deal with unlicensed adaptation.
4
1
Why giving audiences what they know they want is hurting theatre
5
Why Oklahoma made me again want more for the musical in the UK
4
Why I made a solo show at 36
1
1
How an essay from 1936 made me think new thoughts about Digital Theatre.
3
Why literary theory might help us to stop undermining musicals.
2
1
Should musicals sound more like music?
4
2
Why calling musical theatre a genre will hurt it
2
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COUNTERPOINT by Adam Lenson