COUNTERPOINT by Adam Lenson

Home
Archive
About
New
Top
Discussion
#19 - The Curve
Why developing new musicals is graded on a curve.
 • 
Adam Lenson
3
August 2022
#18 - Unofficial
Why jumping the queue isn't the way to deal with unlicensed adaptation.
 • 
Adam Lenson
1
June 2022
#17 - You already know
Why giving audiences what they know they want is hurting theatre
 • 
Adam Lenson
May 2022
#16 - OK
Why Oklahoma made me again want more for the musical in the UK
 • 
Adam Lenson
March 2022
#15 - What If?
Why I made a solo show at 36
 • 
Adam Lenson
1
February 2022
#14 - The Aura
How an essay from 1936 made me think new thoughts about Digital Theatre.
 • 
Adam Lenson
#13 - Open or Closed
Why literary theory might help us to stop undermining musicals.
 • 
Adam Lenson
1
#12 - Face the music
Should musicals sound more like music?
 • 
Adam Lenson
2
January 2022
#11 - Medium
Why calling musical theatre a genre will hurt it
 • 
Adam Lenson
December 2021
#10 - Naming and Necessity
Why I had to put my name on my work and why I hate it.
 • 
Adam Lenson
3
#9 - Expensive
How some costly steps gave me a mid career crisis
 • 
Adam Lenson
2
#8 - The Middle
Why I live between commercial and subsidised and why I'd love more people to visit
 • 
Adam Lenson
1
© 2023 Adam Lenson
Privacy ∙ Terms ∙ Collection notice
Start WritingGet the app
Substack is the home for great writing